The MK 8 has one-inch diaphragms precisely spattered with 24-carat gold. Its capsule is elastically mounted to reduce structure-borne noise. 

A three-position switchable filter allows the user to either eliminate any remaining low-frequency noise below 60 Hz (-18 dB/octave, low-cut position) or introduce a softer roll-off effect from 100 Hz down to compensate for the proximity effect in close miking (-6 dB/octave, roll-off position). The MK 8 is also fitted with a switchable pad (off, -10 dB, -20 dB). 

A signal level reduction of -10 dB in the capsule protects the mic against excessively loud audio sources, while an additional -10 dB reduction in the mic’s electronics avoids an overload of the connected mic pre-amp and subsequent recording equipment. The MK 8 offers the recording engineer a full set of control options The MK 8’s five switchable pick-up patterns exhibit relatively constant characteristics, especially in the low end. 

This ensures better, more defined sound wherever recording circumstances are less than ideal, as the selected pattern is maintained over frequency. For example, the super-cardioid pattern will not “blur” but remain precise, providing the same high attenuation of lateral sound sources that the engineer wanted to have in the first place. The MK 8 has a sturdy metal housing. It has relatively low sensitivity to humidity as the impedance conversion is done within the capsule. 

The MK 8 comes complete with a microphone clip and a protective pouch. Optional accessories include an elastic suspension, a foam windshield, a popshield and a hardcase.